Adam Schrader

Adam Schrader is the founder of Urgent Matter and a longtime crime and politics reporter. His work has appeared in Artnet News, The Art Newspaper, the New York Post, the New York Daily News, and United Press International.

Location New York

Number of Articles 558

Socials

Adam Schrader's Work 558 Articles

Jun 04, 2026 Court Documents: Boffoli copyright infringement cases over Big Appetites

Read court documents from Christopher Boffoli’s copyright cases over Big Appetites, including records involving Laurie McCormick and Flickr.

by Adam Schrader

Government and Cultural Heritage - Jun 03, 2026 Forensic Archive of Iran seeks Rasht Grand Bazaar testimony

The project seeks testimony, documents and artistic responses on the Rasht Grand Bazaar fire in Iran.

by Adam Schrader

Law and Crime - Jun 03, 2026 Wyland sues FIFA, property owners over Dallas whale mural destruction

The artist alleged his landmark Dallas mural was painted over without consent ahead of the 2026 tournament in violation of federal law.

by Adam Schrader

Jun 02, 2026 Court Documents: Wyland v. FIFA et al.

Court records from the U.S. District Court for the Northern District of Texas.

by Adam Schrader

Opinion - Jun 02, 2026 How to buy beautiful things from all over the world

In Marrakech, avoiding the souks felt cowardly.

by Adam Schrader

People - Jun 01, 2026 Art-world satirist Hilde Lynn Helphenstein, known as Jerry Gogosian, found dead in Brazil

São Paulo police reportedly opened a suspicious death investigation after Helphenstein was found in a room at the Rosewood São Paulo.

by Adam Schrader

Shows and Exhibitions - May 31, 2026 Iranian state media spotlights London biennial of contemporary Iranian art

IRNA highlighted a London exhibition of Iranian art, fitting a wider wartime push to frame culture as proof of visibility abroad.

by Adam Schrader

Shows and Exhibitions - May 31, 2026 Radiohead’s Motion Picture House brings Kid A Mnesia dread to Brooklyn Navy Yard

A 75-minute film anchors the installation, but the surrounding gallery gives Radiohead’s early-2000s visual world much of its force.

by Adam Schrader